Author: Ben Thornburgh

Soccer: Piedmont vs Wesleyan

Kaitlin Andrews (right) fights to keep the ball from Nadia Al-Shahabi (left.) Nicki Boyd (back-left) is ready to defend if the ball should slip into Wesleyan’s control. PHOTO / BEN THORNBURGH
Whitney Flanter (middle) is in control of the ball, but Piedmont is quick to corner her. Cassidy Reich (left) shoots a smile at Tori Gillett (right,) just before she steals the ball. PHOTO / BEN THORNBURGH
Piedmont’s benched players cheer on their teammates. Kaitlin Andrews takes control of the ball. PHOTO / BEN THORNBURGH
Fetlework Blitch (back-left,) Nadia Al-Shahabi (front-left) and Shayna Healy (back-right) watch as Nicki Boyd (front-right) attempts to block the ball from leaving the field. In the end, her efforts did not stop the ball from going out of play. PHOTO / BEN THORNBURGH

RR: Kobré 10

Chapter 10 of Kenneth Kobré’s “Photojournalism: The Professionals’ Approach” focuses on capturing “the issues,” generally referring to political and social imbalance. What struck me most from this chapter is the intense emotion portrayed in every photograph. Kobré gives plenty of examples of “positive” emotion: pride, happiness, love and celebration, but what hit the hardest for me were the examples of “negative” emotion: anger, sadness and fear.

My favorite example (although “favorite” is a strong word for this,) is the “Haitian Street Justice” series on pages 266-267. Photographer Carol Guzy captures the murder of a man who is believed to be the killer of a beloved community leader. The man is attacked by a mob of people and is beaten and killed with blades and blunt objects in the street. This series captures some of the most intense anger and fear that I’ve ever seen in photographs, and the photos are frankly hard to look at.

Guzy mentions that she felt guilty looking at the photos afterward, thinking that she may have been able to do something to save the man. In the end, she chooses to publish the photoset anyway, understanding that the worst thing she could do would be to hide what happened.

These photos, paired with Guzy’s commentary, were deeply emotional for me. If I had been on the scene, I’m not sure that I would’ve had it in me to take the photos.

RR: Kobré 6

After reading chapter six of Kenneth Kobré’s, “Photojournalism,” I already know what I’m going to struggle with most when it comes to shooting sports: understanding the sport itself. Of all the things that I understand in life, sports is near the bottom. I’ve never shown much interest in participating in athletics, (a stereotypical trait of nerds like me, I know,) and I’ve never gotten a huge amount of entertainment from watching sports. It’s probably what sets me apart the most from my fellow Mass Comm majors.

That being said, I am excited to try shooting sports. My favorite thing about the prospect, which is shown in nearly every photo example in Kobré’s writing, is the sheer, honest emotion shown in athlete’s faces. I love capturing emotion, and I think shooting sports is a great opportunity to do so.